Emanuelle
Blessig

Emanuelle
Blessig

Next event
Mahler 2nd Symphony "Resurrection"
Concert Hall, Namur
27/02/2025 20:00
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About

Born in Strasbourg, Emanuelle began her studies at the conservatory of her hometown with Sandrine François before joining the CNR of Paris in Claude Lefebvre's class. In 2011, she was awarded first prize unanimously, with high praise from the jury, and later joined the Royal Conservatory of Brussels, where she studied under the guidance of Baudoin Giaux, Isabelle Bialek, and Jérémie Fevre. She graduated in 2017 with a master's degree with the highest distinction.

Emanuelle is regularly invited to perform with various orchestras, such as the Royal Opera of La Monnaie, the Belgian National Orchestra, the Royal Philharmonic Orchestra of Liège, the Sostenuto Orchestra, the Musicians of Europe Orchestra, and the Neue Philharmonie München. This has allowed her to work with renowned conductors such as Alain Altinoglu, Evelino Pido, Gergely Madaras, Dennis Russell Davies, Hugh Wolff, Timur Zangiev, Takashi Kondo, Andrey Boreyko, and Ainars Rubikis.

Passionate about teaching, she has had the opportunity to teach in several music schools and conservatories in Alsace, the Paris region, and Belgium. She holds a master's degree in teaching from the Royal Conservatory of Mons and currently teaches at the Amélie Dengis Academy in Seraing.

In 2020, she recorded the album "Berio to Sing," a tribute to composer Luciano Berio, with Les Cris de Paris under the Harmonia Mundi label. She also recorded in 2022 and 2024 "Les Béatitudes" by Franck and Dohnanyi's Second Symphony with the Liege Royal Philharmonic Orchestra.

Upcoming events
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Concert Hall, Namur
27/02/2025 20:00
Mahler 2nd Symphony "Resurrection"
An immense orchestra, a four-part choir, two soloists and instruments in the wings... Mahler did not skimp on the scale of the forces in this work, commensurate with the breadth of his message. His Second Symphony suggests that death is nothing, that man can surpass his mere mortal condition. From the sombre opening funeral march, wrenched from the bowels of the earth, to the final apotheosis, this "Resurrection" (first performed in Berlin in 1895) transports us to the very heart of post-romantic music. Gergely Madaras returns to Mahlerian storms and takes over from the composer, who presented the work in Liège on 22 January 1899, conducting his music outside German-speaking countries for the first time.
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Salle Philharmonique de Liège
28/02/2025 20:00
Mahler 2nd Symphony "Resurrection"
An immense orchestra, a four-part choir, two soloists and instruments in the wings... Mahler did not skimp on the scale of the forces in this work, commensurate with the breadth of his message. His Second Symphony suggests that death is nothing, that man can surpass his mere mortal condition. From the sombre opening funeral march, wrenched from the bowels of the earth, to the final apotheosis, this "Resurrection" (first performed in Berlin in 1895) transports us to the very heart of post-romantic music. Gergely Madaras returns to Mahlerian storms and takes over from the composer, who presented the work in Liège on 22 January 1899, conducting his music outside German-speaking countries for the first time.
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Salle Philharmonique de Liège
01/03/2025 20:00
Mahler 2nd Symphony "Resurrection"
An immense orchestra, a four-part choir, two soloists and instruments in the wings... Mahler did not skimp on the scale of the forces in this work, commensurate with the breadth of his message. His Second Symphony suggests that death is nothing, that man can surpass his mere mortal condition. From the sombre opening funeral march, wrenched from the bowels of the earth, to the final apotheosis, this "Resurrection" (first performed in Berlin in 1895) transports us to the very heart of post-romantic music. Gergely Madaras returns to Mahlerian storms and takes over from the composer, who presented the work in Liège on 22 January 1899, conducting his music outside German-speaking countries for the first time.
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