Emanuelle
Blessig

Emanuelle
Blessig

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La Monnaie : Classical Journey
Théâtre Royal de la Monnaie, Bruxelles
01/04/2026 20:00
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About

Born in Strasbourg, Emanuelle began her studies at the conservatory of her hometown with Sandrine François before joining the CNR of Paris in Claude Lefebvre's class. In 2011, she was awarded first prize unanimously, with high praise from the jury, and later joined the Royal Conservatory of Brussels, where she studied under the guidance of Baudoin Giaux, Isabelle Bialek, and Jérémie Fevre. She graduated in 2017 with a master's degree with the highest distinction.

Emanuelle is regularly invited to perform with various orchestras, such as the Royal Opera of La Monnaie, the Belgian National Orchestra, the Royal Philharmonic Orchestra of Liège, the Sostenuto Orchestra, the Musicians of Europe Orchestra, and the Neue Philharmonie München. This has allowed her to work with renowned conductors such as Alain Altinoglu, Evelino Pido, Gergely Madaras, Dennis Russell Davies, Hugh Wolff, Timur Zangiev, Takashi Kondo, Andrey Boreyko, and Ainars Rubikis.

Passionate about teaching, she has had the opportunity to teach in several music schools and conservatories in Alsace, the Paris region, and Belgium. She holds a master's degree in teaching from the Royal Conservatory of Mons and currently teaches at the Amélie Dengis Academy in Seraing, as well as at the Conservatoire Royal de Bruxelles.

In 2020, she recorded the album "Berio to Sing," a tribute to composer Luciano Berio, with Les Cris de Paris under the Harmonia Mundi label. She also recorded in 2022 and 2024 "Les Béatitudes" by Franck and Dohnanyi's Second Symphony with the Liege Royal Philharmonic Orchestra.

Upcoming events
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Théâtre Royal de la Monnaie, Bruxelles
01/04/2026 20:00
La Monnaie : Classical Journey
In 1787 Wolfgang Amadeus Mozart travelled to Prague with his family. In his luggage he carried the manuscript of a new symphony – grand in scope, harmonically daring and with a flair that was a match for any of his operas. One of these, Le nozze di Figaro, was enjoying such a success in the city at the time that expectations were running high for the planned benefit concert by the new superstar. Mozart fully rose to the occasion with the premiere of this Symphony No. 38, which has been linked to the Golden City ever since. Touring can be tiring, as Felix Mendelssohn realized some fifty years later. In 1829, as he sought to unwind after a concert tour in London, he travelled to Scotland. Impressed by the rugged highlands and the ruins of Holyrood Chapel, he scribbled down the first musical idea of what years later would become his Symphony No. 3. In a letter to his family, he even called it his ‘Scottish’: an ambitious work that, with its imitations of bagpipes and Scottish folk music, sums up his travel impressions in a single movement. With Schubert’s overture to Rosamunde, Princess of Cyprus also on the programme, conductor Clelia Cafiero and the La Monnaie Symphony Orchestra will take you on a Grand Tour of the royal cities and external borders of classical symphony.
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PBA Charleroi
07/04/2026 12:00
Méridien4°
Details to come...
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Théâtre Royal de la Monnaie, Bruxelles
17/06/2026 20:00
Tosca
High-spirited, devout, a tad jealous and above all a true diva — that’s Floria Tosca! With her captivating voice and undeniable star qualities, she triumphs on the Roman stages, while the city groans under Baron Scarpia’s reign of terror. The corrupt chief of police is infatuated with the singer and so has two reasons to eliminate her lover Mario Cavaradossi, a sympathiser with the city’s political rebels. He offers Tosca the choice: if she gives herself to him, Mario will not be executed the next morning… Giacomo Puccini’s hit opera is a thriller that has you by the throat from the first note to the last. In this electrifying La Monnaie production, director Rafael R. Villalobos addresses a theme that could hardly be more topical: the instrumentalization of religion as a means to political oppression. With parallels drawn between Cavaradossi and the figure of film director Pier Paolo Pasolini, Villalobos puts the spotlight on the pressure the Vatican exerted on society in Rome at the time. In the orchestra pit, Jordan de Souza unleashes all the power and intensity of Puccini’s compelling score, whose expressive vocal lines and cinematic orchestrations have made it one of the world’s favourite operas.
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