Emanuelle
Blessig

Emanuelle
Blessig

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OPRL - Music Factory
Salle Philharmonique de Liège
06/11/2024 18:30
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About

Born in Strasbourg, Emanuelle began her studies at the conservatory of her hometown with Sandrine François before joining the CNR of Paris in Claude Lefebvre's class. In 2011, she was awarded first prize unanimously, with high praise from the jury, and later joined the Royal Conservatory of Brussels, where she studied under the guidance of Baudoin Giaux, Isabelle Bialek, and Jérémie Fevre. She graduated in 2017 with a master's degree with the highest distinction.

Emanuelle is regularly invited to perform with various orchestras, such as the Royal Opera of La Monnaie, the Belgian National Orchestra, the Royal Philharmonic Orchestra of Liège, the Sostenuto Orchestra, the Musicians of Europe Orchestra, and the Neue Philharmonie München. This has allowed her to work with renowned conductors such as Alain Altinoglu, Evelino Pido, Gergely Madaras, Dennis Russell Davies, Hugh Wolff, Timur Zangiev, Takashi Kondo, Andrey Boreyko, and Ainars Rubikis.

Passionate about teaching, she has had the opportunity to teach in several music schools and conservatories in Alsace, the Paris region, and Belgium. She holds a master's degree in teaching from the Royal Conservatory of Mons and currently teaches at the Amélie Dengis Academy in Seraing.

In 2020, she recorded the album "Berio to Sing," a tribute to composer Luciano Berio, with Les Cris de Paris under the Harmonia Mundi label. She also recorded in 2022 and 2024 "Les Béatitudes" by Franck and Dohnanyi's Second Symphony with the Liege Royal Philharmonic Orchestra.

Upcoming events
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Salle Philharmonique de Liège
06/11/2024 18:30
OPRL - Music Factory
Music to glorify the powerful, musical propaganda, national anthems - the unifying power of melodies has always been used by political regimes. But what happens when they fall out of favour, for conveying the idea of freedom, or because the origins or opinions of their composers failed to toe the line? In these cases, bans have sometimes been imposed on well-known and lesser-known works from the classical repertoire. Pierre Solot guides you through the dark corridors of political censorship and makes his case loud and clear: you can’t take their freedom to compose!
Affiche
Salle Philharmonique de Liège
07/11/2024 18:30
OPRL - Music Factory
Music to glorify the powerful, musical propaganda, national anthems - the unifying power of melodies has always been used by political regimes. But what happens when they fall out of favour, for conveying the idea of freedom, or because the origins or opinions of their composers failed to toe the line? In these cases, bans have sometimes been imposed on well-known and lesser-known works from the classical repertoire. Pierre Solot guides you through the dark corridors of political censorship and makes his case loud and clear: you can’t take their freedom to compose!
Affiche
Salle Philharmonique de Liège
08/11/2024 10:00
OPRL - Music Factory
SHOW FOR SCHOOLS Music to glorify the powerful, musical propaganda, national anthems - the unifying power of melodies has always been used by political regimes. But what happens when they fall out of favour, for conveying the idea of freedom, or because the origins or opinions of their composers failed to toe the line? In these cases, bans have sometimes been imposed on well-known and lesser-known works from the classical repertoire. Pierre Solot guides you through the dark corridors of political censorship and makes his case loud and clear: you can’t take their freedom to compose!
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